Editor / Producer

Over 20 years in documentaries

specializing in impactful, character-driven stories


FEATURED WORK

Academy Award Shortlisted Documentary




"THE BIGGEST LITTLE FARM"
EDITED BY AMY OVERBECK

Jackson Wild Editing Award
Critics Choice Editing Nominee
Telluride & TIFF Premieres
Sundance Spotlight Film
$5M+ worldwide box office
Director John Chester
Writer Mark Monroe

"Utterly joyful, inspiring....”
- The New York Times (Critic’s Pick)

"Fresh air for the soul"
- Variety


FEATURED INThe Art of the Cut
Podcast & Book!

UPCOMING WORK

SELECTED CREDITS

CONSULTING SERVICES

Whether you’re just digging in or refining a near-finished piece, I can help shape your story. I offer an outside perspective to help you move forward with confidence - clarifying structure, strengthening emotional arcs, and identifying what’s working and what isn’t.With me, you get both EDIT and STORY insights!

WORKING TOGETHER

I take a limited number of projects at a time. We start with a free consultation. I’ll look at a portion of your cut and share first impressions. If it’s a fit, I offer hourly story consulting going forward.Support can range from notes on a single cut to ongoing collaboration through the finishing process. Reach out with a bit about your project.

GET IN TOUCH

If you’d like me to take a look, feel free to reach out with a bit about your project and where you are in the process.

About

My first week as a news intern in Baltimore, the September 11th attacks unfolded and I witnessed history from inside a working newsroom. Cutting feature news with an award-winning team built the speed and instincts that still shape my work today. I saw how real stories have the power to inspire.Over the following decade, I built my documentary career in the DC area, including the first of many collaborations with director John Chester on A&E’s Random 1 series. In 2017, I relocated to California for our fourth project together, The Biggest Little Farm, collaborating with award-winning writer Mark Monroe. Telling that story meant learning about regenerative agriculture firsthand, and working in a barn, no less, while getting to know the characters who brought it to life. Seeing the difference that story made in people’s lives was heartwarming, and it’s driven me to seek out that kind of impact ever since.The series that followed brought a new role, Co-Executive Producer & Supervising Editor, where I discovered my passion for storytelling extends beyond the edit chair: guiding editors, shaping story arcs, and building systems for complex narratives.What I love most about documentary work is how it introduces both me and the viewer to eye-opening perspectives, since the story we find in the footage often takes a different shape than anyone expected going in, and I’ve always approached that discovery as a real creative partner to the director, not just an extra pair of hands.Today I work remotely from the Los Angeles area with directors and companies including The Kennedy/Marshall Company, White Horse Productions, and FarmLore Films, most recently collaborating with Frank Marshall on two feature documentaries. My work has appeared on HBO, Netflix, Hulu, National Geographic, Disney+, PBS, Bravo, Discovery Channel, Investigation Discovery, A&E, The New York Times, and USA Today.Fittingly, I recently discovered my great-grandfather’s 16mm films dating back to the 1920s, some narrated in his own voice. Documentary storytelling, it turns out, runs in the family.

Contact

I’d love to hear about your project!
Whether you’re looking for an editor,
story support, or a creative collaborator - Let's connect!